ABOUT
ENDRID
THE DOOR IN BETWEEN WORLDS
Based in Kansas City, MO, ENDRID makes concept-driven "nu-gaze/alt-rock" that includes quiet to crushing dynamics, melody first, and impact when it counts. The band—Cody Winters (guitar, vocals), Donovan K. Johnson (bass), Sage Wallace (guitar) Cameron Marks (drums) - build songs where dynamics serve emotion: focused stories, shifting perspectives, and arrangements that move from hushed ambience to heavy, cathartic peaks.
THE EDGE OF BECOMING
Formed in late 2025 in the Midwest underground scene, ENDRID’s music acts as both a challenge and a release. Their songs delve into themes of dissociation, unresolved trauma, and self-reclamation through changing narrative points of view. They have a sound that can only be described as What the silence carried. The result feels like dreams spilling into reality: heavy, but meaningful rather than theatrical.
THE THRESHOLD WE BREATHE THROUGH
The band’s debut single, “Wendigo” (September 2025, featuring Lavinia McBride), marked ENDRID’s strong entrance. Produced by Brody McKeegan, the track reinterprets the Algonquian Wendigo myth as a psychological metaphor, addressing codependency, inner corruption, and the price of survival. “Wendigo” exceeded 50,000 streams within its first months and gained attention on a genuine level. This helped position ENDRID as a notable artist to watch out for in the current “sad heavy” movement.
THE ART OF STAYING
Their live performances, especially at Kansas City venues like VooDoo Lounge, became known for their sudden shifts from quiet reflection to intense mosh-pit energy.
INFINITE DOORS
Since “Wendigo,” ENDRID has advanced quickly, pushing against strict genre boundaries while staying true to emotionally engaging post-grunge and heavy alternative music. Their sound has grown more varied and bold. They mix deep reverb with aggressive tones, incorporating post-grunge hooks into experimental sounds that challenge expectations while maintaining connectivity.
The upcoming single, “Leave It All Behind” (February 14th, 2026), showcases their sound at its most intense and cinematic—mixed, co-produced, and recorded by Justin Mantooth at Westend Studio- is about unresolved childhood trauma resurfacing as intrusive inner voices, depicting an ongoing psychological battle where past wounds refuse to stay buried. The song captures the exhausting reality of trauma's persistence: no matter how firmly one tries to lock it away, the childhood innocence taken away too early demands acknowledgment, turning supposed safety into a prison of one's own making.
People are exhausted with “healing” language that feels performative. This song doesn’t offer forced positivity—it screams the truth that trauma doesn’t politely stay buried when you “do the work.” The intrusive voices keep coming back, no matter how many locks you throw away.
This growth leads to their upcoming debut EP, a fully developed concept that charts psychological descent and ascent. Each track acts as a chapter in a shadowy memoir, descending before reaching for clarity.
THE PULL BEYOND REASON
With over 70,000 total streams, a surge of playlist features, and growing energy from Meta and TikTok campaigns, ENDRID is entering a pivotal phase.
Looking ahead, the band teases a full-length album—an introspective journey that resonates with the “dark night of the soul,” where illusions fade and spiritual desolation sparks a rebirth. ENDRID doesn’t seek perfection or idols. They aim to speak the truth, turning personal struggles into a collective movement, one relentless track at a time.
For fans of Deftones, Sevendust, and A Perfect Circle, “Leave It All Behind” arrives February 14th. There’s a reason people say never meet your heroes: the mask is easier than the truth. We’re not the hero; we’re the catalyst. We're ENDRID.